星期一 更1
节目邀请马家辉、刘擎、段志强、周轶君、张佳晶等文化学者,阎鹤祥、蒲熠星、刘宇、徐志胜、呼兰、刘旸、吴樾等艺人嘉宾共20多位嘉宾组成的“走运团”,带着各自的“人生之问”走进运河沿线城市,深入历史遗迹,寻访名人故里,体验本地生活,在历史与未来的相逢中,寻找当下的答案。节目沿中国大运河从南至北行走宁波、绍兴、杭州、苏州、扬州、淮安、淮北、洛阳、开封、济宁、沧州、天津和北京等重要的运河城市,以多维视角和丰富的专业知识,带领观众走进大运河,感受大运河,重新发现大运河,重新理解大运河。
上世纪七八十年代的好莱坞电影里,蚂蚁,蜘蛛,苍蝇,蜜蜂,蜘蛛,蜈蚣等经常是主角。这些在现实世界中体型微小的动物,一旦因为某种异变造成体型扩大数千倍,将造成怎样的灾难? 当然,科幻电影毕竟只是幻想。 大卫·艾登堡继历时四年的震撼之作《非洲》之后,又带来了这全新的《微型猛兽世界之旅》。本系列采用高端的3D摄影技术,画面极其精美,是不可多得的又一佳作。 《观察家报》的评论为“精彩绝伦的新系列,令人啧啧称奇,千万不可错过!”;《星期日邮报》的评论是“震撼人心的全新系列,迄今为止最好的3D纪录片,准备好被震撼吧!”;《太阳报》的评论是“你会爱上这个关于神秘昆虫世界的纪录片系列!”;Total TV Guide等网站也给出了积极评论。
马航370到底经历了什么?案后的细节调查和相关采访揭示了飞机失踪后几分钟至几小时内令人震惊的事ccc。众多矛头指向马来当局:这起重大现代空难本可以完全避免?调查称机长扎哈里被个人问题、婚姻失败压得喘不过气。相关机构试图逃避责任,替不作为、混乱和沟通失误寻找借口,种种因素最终导致239人丧生。
当一名潜水者在印度尼西亚热带岛屿苏拉威西岛周围水域被一名看不见的水下袭击者刺穿并杀害时,杰里米·韦德前往偏远岛屿,调查该地区发生的一系列类似袭击事件。
Experience the chilling true story of the world’s most famous poltergeist case through original audio recordings made inside the house as the events unfolded.
A documentary going in depth about the creation and success of the greatest basketball team ever created. The Dream Team. Takes place in the 92 Olympics, where team USA and it's eleven Hall of Famers take gold in the greatest assertion of sports dominance in history.
在乔布斯离世后,全世界的人们用各种方式纪念这位富有远见的天才,而授权版乔布斯传记作者Walter Isaacson也揭示了许多关于乔布斯私人生活的细节,PBS电视台将于11月2日播放纪念乔布斯的新纪录片“Steve Jobs - One Last Thing”,片中将会将会有大量曾经与乔布斯合作的采访片段。 其中包括苹果联合创始人Ronald Wayne,投资NeXT电脑的Ross Perot,“华尔街日报”主要技术专栏作家Walt Mossberg,黑眼豆豆乐队制作人will.i.am,苹果第一代鼠标设计师Dean Hovey,PBS系列片主持人Robert Cringely,里德大学书法教授Robert Palladino以及介绍Woz和Jobs相识的Bill Fernandez。 该纪录片还会包含从未播放过的1994年采访乔布斯的片段。乔布斯对生活的理解塑造了他的人格,这也使他为很多行业带来革命性变革。Steve Jobs - One Last Thing”将于下周三,11月2日晚上10点在美国的PBS电视台播出。
凭借七枚冬季极限运动会金牌和长达二十年的职业生涯,坦纳·霍尔已成为滑雪运动的偶像和传奇人物。如今,35岁的他决定参加自由式滑雪世界巡回赛;这是一个五站的巡回赛,评判标准是滑雪者在崎岖不平、未经修整的地形上滑行的能力。坦纳从未参加过自由式滑雪比赛,如今他开启了职业生涯的新篇章,努力挑战衰老身体的极限,同时直面过去最黑暗的记忆。
The Power of Emotion explains that emotion isn't to be confused with sentimentality. Emotion is ancient and more powerful than any art form. The film looks at young couples who run into difficulties as they try to translate their experiences of love into clear decision-making. A woman who has shot her husband provides a judge with a puzzle. Those who love can bring the dead back to life by means of co-operation. That's the focus of the opera, "The Power Plant of Emotions" and the "Opera of the 20th Century" cinema. Alexander Kluge: The Power of Feeling When I started working on The Power of Feeling, I was not in a rational state. I did not say, I have a subject and now I will make a film about it. Instead I was spellbound and observed in my direct surroundings, for example, how feelings move. I have not really dealt with the theme of my mother's death and the fact that she was the one who taught me "how feelings move." Nor have I dealt with how she died. That was an entire palette of feelings: "All feelings believe in a happy end," and everyone believes tacitly that they will live forever: The entire palette is somehow optimistic, a positive attitude towards life having been put on the agendaas long as she was young, as long as her body held out, from one day to the next she collapsed. She just suddenly collapsed, like in an opera where disaster takes the stage in the fifth act. It felt as if I had observed an air raid or a disaster. The film The Power of Feeling is not about feelings, but rather their organization: how they can be organized by chance, through outside factors, murder, destiny; how they are organized, how they encounter the fortune they are seeking.What is all this organization of feelings about? Generally feelings tend to be a dictatorship. It is a dictatorship of the moment. The strong feeling I am having right now suppresses the others. For thoughts this would not be the case. One thought attracts others like a magnet. People therefore need affirmation by other people to be sure about their own feelings (to counteract the acquisition of their feelings through outside forces). Through the interaction of many people, for example, in public, the various feelings also have a magnetic attraction to one another just like thoughts do. Feelings communicate through their manifestation in public. The cinema is the public seat of feelings in the 20th century. The organization is set up thusly: Even sad feelings have a happy outcome in the cinema. It is about finding comfort: In the 19th century the opera house was the home to feelings. An overwhelming majority of operas had a tragic end. You observed a victim. I am convinced that there is a more adventuresome combination: Feelings in both the opera and traditional cinema are powerless in the face of destiny's might. In the 20th century feelings barricaded themselves behind this comfort, in the 19th century they entrenched themselves in the validity of the lethal seriousness.
1990 年代,阿根廷一名女高中生遭殺害,引發大規模抗議行動。本紀錄片由深愛她的親友重述事件始末,呈現他們如何為爭取正義而戰。
一对年轻夫妇遭遇入室抢劫和绑架,但他们对这起案件的叙述太过牵强,令警方都难以置信。为什么受害者看上去如此平静?难道这一切都是骗局?这部三集纪录片由《Tinder 诈骗王》的电影制作人打造,揭示了我们习惯性的草率判断所带来的后果,以及当执法部门认定真相为假时所需要付出的代价。
《千古风流人物第5季》是一部大型历史文化类系列纪录片,该片将目光聚焦中国历史上现象级的文化名人,希望通过解读这些人物的人生故事与艺术成就,去梳理出数千年的中华文明史以及背后的文化内核。 对于这部纪录片,我们不希望他只是一个人物传记,而是可以走进主人公的内心,把他们还原成一个普通人,解读他们的情感和内心世界,他们的快乐,痛苦与失落,结合他们的经典作品以及时代背景,在这个过程中形成对这个人物的独特理解,并在片子中展示出来。
剧情简介暂缺,敬请期待